Ken Bachtold: Creating Theater

March 22, 2017

 Creating Theater with Ken Bachtold


Of all five books that I’ve been fortunate enough to have Dreamspinner publish, this one is the closest to my heart, in that it’s semi-autobiographical.  Like Nick in the story, I did graduate from San Francisco State University with a BA & MA in theater and a minor in Art. Instead of taking a great teaching job at San Francisco City College (where I would eventually become head of the entire drama department–with, at that time, a highly unusual for a college, top of the line professional Eisenhower light board and automatic scene changing system–I fell into the “lure of the big time” and came to New York.

I’d been lucky enough to get an Equity card in S.F. by playing The Boy’s Father in the ongoing production of The Fantasticks! at Ghirardelli Square. However, this turned out to be false security, as I soon found out that whenever I entered an audition space, there were about fifty other guys who looked exactly like me! Finally, I was fortunate enough to get an audition for a projected musical titled Mata Hari (which never made it to Broadway) and I’d always been shaky singing since a choir director once said to me when I was about twelve years old, “I think you’d better go home, and come back when your voice finishes changing.”  Traumatized for life, I went home and didn’t murmur a musical sound until I tried out for West Side Story at school (I loved, loved, loved musicals, even then – nothing like the almost off-tune sound of a pit orchestra) and, lo and behold, got the part of Bernardo! That settled my fate going forward! But at the N.Y. audition, I was so nervous (the audition was in the afternoon, on the stage of a Broadway theater and it looked like a million empty seats staring back at me). I’d chosen an old standard, My Funny Valentine, and just before I started to warble, my knees began to shake, and my voice kept going up and up as I sharped through the whole song.  As I left, I hoped the people in the wings, who were waiting their turn, wouldn’t have noticed. I figured they did, because they all looked at the stage floor as I walked passed them!  Embarrassment to the nth degree!

At any rate, disappointed by events, I did, like Nick, start my own company (yes, called A Company of Players) where I directed five plays (before my money ran out!). And again, drawing from my own past, I wrote a play entitled, Starting Over which was accepted (six out of sixty) for the Ninth Annual Fresh Fruit Festival here in N.Y.  And, again, like Nick, I had two young people who didn’t learn their lines and I almost had to cancel the play . . . and . . . a “method actress” (a former FBI agent – I can’t make this stuff up) who made me crazy, just like Rosie does for Nick.

All the theater references are spot on, as I literally lived them myself. I do try to place my stories in New York to try and get a real authentic feel for the setting. And, being originally from San Francisco, I did actually ride the cable cars going to my dentist, and I did go to the Fairmont Hotel, and other hotels for formal affairs when in college. And, the street (Powell Street) is actually so steep that it has stairs on the sidewalk and when you have to stop at the top of the hill you’d better have your hand on the emergency brake and your foot hovering over the brake and the gas pedal, because when the light turns green, heaven forbid that you slip back, as you’ll crash into the car behind you (undoubtedly irritating the other driver just a bit).

So, that’s some of the events that I used in the story, and I hope all this information is interesting and helps! I tried to make this blog more chatty than the others so it would be different!


Check out A Company of Players today!


A Company of Players by Ken Bachtold


Leaving romantic wreckage behind him, Nick Charles and his best friend Barb Anderson use Nick’s sizable inheritance to fly to one of the most exciting places in the world—New York City—with plans to open their own theater. In doing so, they meet Ross Taylor, the handsome real estate man and actor, and Rudy his construction-worker cousin. Ross is determined to heal Nick’s fragile heart, while shy Rudy and oblivious Barb stumble toward their own connection. Will Rosie Dupree, a rigid method actress, and talented but devious Gordon Holmes destroy their theater dreams? Was choosing the original piece, Starting Over, by an unpublished young playwright the best move for opening night? Will the invited critic show up? Amid the frantic and colorful world of the New York City theater scene, Nick and Barb must open their hearts and risk everything for their endeavors to succeed—both on the stage and behind the scenes.

States of Love: Stories of romance that span every corner of the United States.


About the Author: 

Ken Bachtold graduated from San Francisco State University with a BA and an MA in acting and directing and a minor in art. Passing up a great teaching job and surrendering to the “lure of the big-time,” he came to New York. After pounding the pavement and finding it wanting, he decided to shape his own destiny and founded A Company of Players Repertory Theatre, producing and directing five plays. Always an avid reader, his two Kindles probably store 500 books, mostly MM romance. Often frustrated at finding exactly the type of story he favored, he thought, What the hell, I should write one. And so he did!

One Response to “Ken Bachtold: Creating Theater”

  1. Rochelle says:

    But isn’t the top of Powell street with your hand on the e brake and your foot hovering a great metaphor for releasing your book? Your perched at the top of great things and the ride down is scary as hell but invigorating! Loved the blurb. It sounds amazing! It’s definitely going on my TBR! Congrats and break a leg with this one!

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